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A whole film built around a single word: “Tamaran!” The first time we hear it is when Hinako’s father fulminates on the phone against a typhoon: “Tamaran!”, “unbearable!”. The word appears for the second time in the title of a book that a bookseller gives to a student who wants to read about “hometowns”: Tamaran Hill. The adjective has become a proper noun, both “really evocative and profound”, according to the bookseller. On the platform and then on the train that takes her back home, Hinako reads. The reading immediately starts to reflect her own life, sentences lead her back to her origins, to the past of her family, to her sorrows. Relating and representing this reflection through a bouncing game between sentences and shots – such is the challenge of the film, which is taken up through the most generous, bold and rigorous type of plastic and narrative inventiveness. Words are brought to life, the past is revived with a pencil in the whiteness that brings together image and page, and that turns one into the other. How do you go from a single word to a film? Through a book and its reading, then; but also, through the series of books in which Hinako tracks down the word “tamaran” and its polysemy. The Japanese novel Tamaran Hill inspired Tadasuke Kotani’s film. Its author, Seiji Kuroi, makes an appearance, as a writer who confides his guiding principle to the student: “characters are made of words. Words have their own vitality, warmth and power. Characters arise from the actions of such words.” Because Kotani has dared taking the writer to his word, the film is far from a mere literary adaptation – it is a madly ambitious and fully mastered attempt
to translate literature into film. Because “translation is a form” (W. Benjamin), and Tamaran Hill’s director belongs to the rare species of the true inventors of form. His invention? An action film whose hero is a word. (C.N.)
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克洛德·皮诺托
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伊莎贝尔（伊莎贝尔·阿佳妮 Isabelle Adjani 饰）成长在一个破碎的家庭之中，母亲海伦娜（安妮·吉拉尔多 Annie Girardot 饰）在早年间离开了脾气暴躁的父亲让（利诺·文图拉 Lino Ventura 饰），和情人私奔了。这些年，伊莎贝尔一直和父亲过着相依为命的生活。虽然之后让也邂逅了名为马黛莱娜（妮可·库尔塞 Nicole Courcel 饰）的女子，但两人的感情没能够走到最后。 一转眼，伊莎贝尔已经十六岁了，她有一个感情十分要好的男友马克（弗朗西斯·佩兰 Francis Perrin 饰）。伊莎贝尔一直想要脱离压抑的原生家庭，和男友同居，但她的这一决定自然受到了父亲的强烈反对。遵循着父亲的意愿，伊莎贝尔参加了医学考试，但成绩惨不忍睹，这一失败让伊莎贝尔决定，去做一些自己真正喜欢的事情。
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李应福
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赵敏赫（池城 饰）是个出身显赫的富家公子，迫于家庭压力，他与女友智熙分手，与国会议员之女申世妍（李多喜 饰）订下政治婚姻，自此他便过着花天酒地的混账日子。在城市的另一端，姜友静（黄静茵 饰）过着与赵敏赫截然不同的生活，她忙碌充实，拼命打工，与交往七年的男朋友安度勋（裴秀彬 饰）即将步入婚姻殿堂。 本该不会有交集的四人，却因为一起车祸，他们的命运紧紧连接在一起。安度勋在一个雨天里意外撞死了一个人，而这个人正是赵敏赫心爱的女友智熙。为了安度勋的前程，友静替其顶罪，锒铛入狱。另一方面，因失去了深爱的人，赵敏赫发誓要用尽一切手段，向友静复仇。四名男女的虐恋故事，就此展开。
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马丁·斯科塞斯
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本片依据Howard Hughes的生平改编。 Howard Hughes（Leonardo DiCaprio 饰）出生于美国德州休士顿，18岁时，他继承父亲德州油井的财富，心怀电影梦想移居好莱坞。1926年他买入125家戏院的控制权，砸下数百万美金拍了实景空战史诗电影《地狱天使》，成为著名的制片人；1939年，他入主环球航空公司，他迅速使公司扭亏为盈，二战期间与美国军方合作，主持了蓝云杉飞机的发明和改进。 Howard Hughes在事业上取得巨大成功的同时，他也饱受了忧郁症和精神官能强迫症的折磨；他的感情生活波折重重，Katharine Hepburn（Cate Blanchett 饰）、Ava Gardner（Kate Beckinsale 饰）先后离开他，让他备受打击。 影片选取Howard Hughes重要的生活事件，真实地再现了他的传奇。
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费迪南多·巴尔迪
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A baron, with the complicity of a starlet, organizes the theft of the cash wagon on a train, keeping the conductor and travelers at bay, a sample of various humanity: an honorable with the divorced secretary, a psychiatrist with a patient under treatment, two newlyweds on their honeymoon, a trendy singer with the assistant, a rich and kinky woman. The hit succeeds, but the spoils are squandered to produce a blockbuster film and everything ends up at a loss; the baron then tries to steal a large load of currency embarked on a ferry, but a sudden strike by the seafarers throws up the plan. Hence the plan to seize a load of diamonds, embarked on a plane departing from Fiumicino destined for Amsterdam.
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杰弗里·萨克斯
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亚历克斯（亚历克斯·帕蒂弗 Alex Pettyfer 饰）自幼失去了父母，他的整个童年时代都是和叔叔伊恩（伊万·麦克格雷格 Ewan McGregor 饰）一起度过的，不幸的是，伊恩叔叔也因为一场可疑的意外离开了亚历克斯。 布朗特先生（比尔·奈伊 Bill Nighy 饰）和琼斯夫人（苏菲·奥康内多 Sophie Okonedo 饰）出现在了亚历克斯的面前，他们向他传达了一个惊人的消息。原来，表面平凡的伊恩一直以来都过着双重生活，背地里，他是一名为英国情报组织MI6工作的间谍。就这样，亚历克斯被迫成为了叔叔的接班人，等待着他的，不仅是十分艰苦的训练，还有异常危险的任务，从小就接受了严苛训练的亚历克斯能够胜任吗？
